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Bhangra Songs for a Party — Tracks That Fill a Dance Floor

Bhangra started as harvest-season folk music played on a dhol in a field. It then spent two decades in British studios being crossed with reggae, house and hip-hop, came back to India as pop, and now lives mostly as standalone singles on YouTube. A good party playlist borrows from all of those phases, because they do different jobs: the folk-rooted tracks get everyone up, the diaspora club records keep the tempo, and the recent singles are the ones people already have the moves for. These eleven are ordered editorially, by what each one does to a room rather than by view count — the site's own boards already rank songs by numbers.

  1. 1

    Mundian To Bach Ke

    Panjabi MC

    Panjabi MC built it on a dhol loop over the Knight Rider bassline, and in 2003 Jay-Z jumped on a version called Beware of the Boys that took it worldwide. It is still the single most recognisable bhangra record outside Punjab, and it needs no introduction to anybody in the room.

  2. 2

    Bolo Ta Ra Ra

    Daler Mehndi

    Daler Mehndi's breakthrough, and for a lot of India the first Punjabi pop song they ever heard. The arrangement is deliberately bare — dhol, voice, chorus — and the energy never lets up, which is why it still lands on a party playlist decades after it was recorded.

  3. 3

    Tootak Tootak Tootian

    Malkit Singh

    Also known as Hey Jamalo, and the best-known song by Malkit Singh, one of the defining voices of British bhangra. It is pure boliyan energy — call, response, repeat, with no verse structure getting in the way — and it was later reworked as the title track of a Hindi film.

  4. 4

    Ishq Tera Tadpave

    Sukhbir

    Sukhbir spent the late 1990s bending bhangra towards pop production, and this is the one that stuck. The rhythm is a straight dance beat with dhol layered on top rather than the other way around, which makes it the easiest track here to mix in and out of non-Punjabi music.

  5. 5

    Dil Luteya

    Jazzy B, Apache Indian

    Jazzy B is the closest thing Punjabi music has to a rock star — turban, chains, stage presence — and this collaboration with Apache Indian is his most party-ready record. It has a proper drop, which most bhangra of its era did not, so it still sits comfortably inside a modern club set.

  6. 6

    5 Taara

    Diljit Dosanjh

    Diljit Dosanjh's 2015 single, which sets a five-star lifestyle against a village one and comes down on the village side. It is a party song with a joke inside it, a very Punjabi combination, and one of the singles that kept his music career running alongside the film work.

  7. 7

    Bamb Jatt

    Amrit Maan, Jasmine Sandlas

    Amrit Maan and Jasmine Sandlas trading lines over a heavy, low-slung beat that owes more to club music than to folk. It is the kind of bhangra a non-Punjabi DJ can drop into a set with no set-up at all and get away with, which is not true of most of this list.

  8. 8

    Daru Badnaam

    Kamal Kahlon, Param Singh

    A track that spread through wedding videos and short clips long before anything official pushed it. The melody is folk-simple and the production is minimal, and that is exactly why it travelled — it sounds good coming out of a phone speaker at a house party.

  9. 9

    Wakhra Swag

    Navv Inder, Badshah

    Navv Inder with Badshah on the verse. 'Wakhra' means distinct or set apart, and that is the whole pitch — a strut of a song, all attitude and no story. It was later remade for a Hindi film, but the original is the version with the bite in it.

  10. 10

    Kaun Nachdi

    Guru Randhawa, Neha Kakkar

    From Sonu Ke Titu Ki Sweety, and one of the most-used sangeet tracks of the last decade. It sits between bhangra and Bollywood dance-pop, which is a feature rather than a compromise when your guest list is genuinely mixed and you only get one playlist.

  11. 11

    Na Na Na Na

    J Star

    J Star's 2015 single, built on a loop so short it is almost a jingle. A good example of the mid-2010s Punjabi release model: no album behind it, one idea executed cleanly, put straight onto YouTube and left to find its own audience. It still does its job at a party.

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